Monday, July 28, 2008

Museum's Crystal Skull to go on Display for the First Time Ever!


For centuries the legend of the crystal skull has captivated explorers, adventurers and even scientists. Were crystal skulls handmade by ancient Aztecs? The work of supernatural powers? Or carefully crafted fakes? New light will be shed on the myths behind these fascinating objects when the Smithsonian’s own crystal skull goes on public display for the first time, ever. “The Truth About Crystal Skulls” exhibit will open July 10 and continue through Sept. 1 at the Smithsonian’s National Museum of Natural History.

Crystal skulls are sculptures of the human skull carved from blocks of clear or milky quartz, often called rock crystal. Claimed to be pre-Columbian Mesoamerican artifacts, identified as Aztec, Toltec, Mixtec or occasionally Maya, the truth is that none of the specimens made available for scientific study have been authenticated as pre-Columbian in origin or were ever recovered from an archaeological site, i.e. no archaeologist has ever dug one of these skulls out of the ground. Scientists theorize they were manufactured in the mid-19th century or later, in Mexico and Europe. The skulls are claimed to exhibit paranormal phenomena by some people and have been depicted as such in fiction and films. Perhaps the most widely known of such portrayals is the film “Indiana Jones and the Kingdom of the Crystal Skull” which premiered in theaters in May.

The Smithsonian’s crystal skull arrived in the mail with an unsigned letter in 1992, stating that it was purchased in Mexico in 1960 and that it was Aztec. In comparison with the earlier skulls collected in the 19th century, the Smithsonian skull is enormous; at 31 pounds and nearly 10 inches high, it dwarfs all other known crystal skulls. Walsh and her British Museum colleague Margaret Sax believe it was manufactured in Mexico shortly before it was sold.

The arrival of the crystal skull at the Smithsonian instigated Walsh’s research into determining the artifact’s origin and establishing its authenticity. With the assistance of Scott Whittaker, the manager of the museum’s Scanning Electron Microscope (SEM) laboratory, Walsh has carefully studied the lapidary (stone-cutting) techniques on crystal skulls and other hard stone carvings of purported pre-Columbian origins. Modern stone carving tool marks have been identified meaning they could not have been carved before the mid-19th century and therefore cannot be of pre-Columbian origin.

Tuesday, July 8, 2008

SUSSEX POWWOW




SUSSEX POWWOW

NATIVE AMERICAN HERITAGE FESTIVAL

July 12th & 13th, 2008

Sussex County Fairgrounds
Augusta, NJ

Saturday 11am to 8pm

Sunday 11am to 7pm

Rain or Shine

GRAND ENTRY Saturday & Sunday 1pm

$10 Adults $6 Kids/Seniors

Kids 6 & under Free

Free Parking

Directions:

From NYC: GW to 80 West to Exit 34B RT 15 North to 206 North Follow signs for the Sussex County Fairgrounds

DANCER INFORMATION

Emcee - John Block
Host Drums - Iron River & BlackBear

NO REGISTRATION FEE FOR DANCERS

ADULT - (Traditional, Grass, Jingle, Fancy) (18+)
1ST-$800 2ND-$600 3RD-$400 4TH-$200

TEEN - (Traditional, Grass, Jingle, Fancy) (13-17)
1ST-$300 2ND-$200 3RD-$100

JR BOYS COMBINED & JR GIRLS COMBINED (6-12)
1st-$150 2nd-$100 3rd-$75

TINY TOTS

TROPHY/CASH SPECIALS
TBA

DIRECTIONS
41.136011,-74.717417 - Google Maps

Host Hotel - ASK FOR THE POWWOW RATE
EconoLodge
448 Route 206 South
Newton, NJ, US, 07860
(973) 383-3922



ACCOMMODATIONS:
SUSSEX MOTEL, 973-875-4191
ROLLING HILLS MOTEL, 973-875-1270
COBMIN RIDGE MOTEL, 973-948-3459
CAMPING AVAILABLE ON GROUNDS

Amazonia Brasil Exhibit




Amazonia Brasil Exhibit
Step into the Amazon at South Street Seaport. Misty, humid, green, the 13,000 square foot reconstruction of the Brazilian rain forest on Pier 17 echoes with bird calls and indigenous chanting. Visitors can plunge their hands into a pile of dried beans, watch a film about Amazonian insects, weave a basket with Rosangela Tapajos, an Amazonian village leader.

Amazonia Brasil seeks to teach people about one of the world's most precious resources - the Amazonian rainforest, a two-million-square-mile tropical ecosystem of breathtaking biodiversity. A free, related exhibition at the World Financial Center showcases Brazilian fashion and furniture designers who have used the Amazon as their inspiration. A free photography show at Smithsonian's National Museum of the American Indian completes the trio of Amazonia Brasil exhibits in Lower Manhattan. Amazonia Brasil is open through July 13. Admission to the interactive exhibit on Pier 17 is $16 for adults, $13 for seniors and $11 for children

Fancy Dance Good Luck Lion



PERFORMANCES
Fancy Dance Good Luck Lion
Thursday, July 10, 2008, 5:30 p.m.
Friday, July 11, 2008, 12:30 p.m.
Bowling Green Cobblestone (NMAI Pavilion, if rain)

This complementary program to Remix: New Modernities in a Post-Indian World, includes an experimental performance work created by Jason Lujan (Chiricahua Apache) which investigates the dynamic combination of Native American Fancy Dancers and Chinese Lion Dancers. Performers include Sky Medicine Bear (Diné), Donna Ahmadi, Louis Mofsie (Hopi/Hochunk), Tyson Draper (Diné), and White Crane Society.

Monday, June 16, 2008

Sunday, June 15, 2008

Happy Fathers Day Taino Style

Happy Fathers Day Taino Style



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Our Father" in Taíno:


Guakia baba (Our Father)
turey toca (is in sky)
guami-ke-ni (Lord of land and water)
guami-caraya-guey (Lord of moon and sun)
guariko (come to)
guakia (us)
tayno-ti (good,tall)
bo-matun; (big,generous)
busica (give to )
guakia (us)
aje-cazabi; (tubercles,bread)
juracan-na (bad spirit,no)
maboya-ua (ghost,no)
jukiyu-jan; (good spirit,yes)
Diosa (of God)
nabori daca ( servant am I)
Jan-jan catu (So be it)


[from Prehistoria de Puerto Rico, Dr.



Cayetano Coll y Toste]

Thursday, June 5, 2008

A Simple Message: Leave the Puerto Rican Flag Alone

A Simple Message: Leave the Puerto Rican Flag Alone



----------------- Bulletin Message -----------------
From: taino ray
Date: Jun 5, 2008 7:53 AM


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Fellow Boricuas

Its Puerto Rican Day Parade time again.. I know I shouldn't have to say this but I will anyway, I must.





Wave your flag with pride this weekend

Mount it on a flagpole, present it with dignity

Show the world our BORICUA PRIDE


Remember always where you come from & pass it on to your children

Be Boricua always ( don't forget after the parade is over)

NOVEMBER is Puerto Rican Heritage Month ( you can look it up)

Please don't desecrate our flag.





Don't drape on the hood of your car because it gets dirty from your cars emissions.



( a dirty, oily flag is not cool)

Men stop wearing it as skirts or capes, (Keep it real!!!! )

Women stop wearing it as a Bra.



(keep it real!!!)

Don't buy any flags with Roosters, Coquis, Bikini Women etc
(You got to be kidding me right)

IF WE DON'T RESPECT OUR FLAG NO ONE ELSE WILL!!!!!

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We honor our Taino Hands, because they worked
We honor our Spanish hands, because they worked
We honor our African hands, because they worked

All of those hands make us FAMILY
All of those hands make us

BORICUAS!!!!

A Simple Message: Leave the Flag Alone




By DAVID GONZALEZ
Published: May 31, 2005
Jaran Manzanet is not a happy man these days. That is never a good thing since he is a big man with rock-hard hands and a steely attitude, traits that served him well over four decades in the ring as both a boxer and trainer.



So who is foolish enough to darken his mood?

Skip to next paragraph
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Librado Romero/The New York Times
Jaran Manzanet has set out to stop people from embellishing the Puerto Rican flag, whether with Tito Puente or a tree frog.






Librado Romero/The New York Times
Caps with faces in front of the flag are a gray area, Mr. Manzanet says; they're not exactly flags, but are not quite respectful. Still, he must pick his battles.




Tito Puente, for starters. Plus fighting cocks, conga drums, palm trees, tree frogs and 70 other characters that by his count are emblazoned on those Puerto Rican flags that flutter everywhere as the Puerto Rican Day Parade, on June 12, approaches. All of them - even the one with the boxer Félix "Tito" Trinidad - are not some happy combination of national symbols, Mr. Manzanet said, but a desecration of the island's flag.





As his own business card declares, Mr. Manzanet is the Bronx's own Defender of the Puerto Rican Flag - a self-imposed title that he nonetheless carries like a champ. A poster taped to the side of his car urges people not to denigrate the flag. He has led protests outside garment district stores that sell all sorts of flag trinkets. He even goes as far as to hand out simple, unadorned flags to people he sees on the street who might be waving an offending banner.





"In our community there is a lot of ignorance, and we have to awaken them," he said, sitting inside a clubhouse on East 142nd Street in Mott Haven. "People from other countries tell me, they always see the Puerto Ricans with the flag. I know we're proud.



But why do we need to buy these flags with drawings on them?"

He said he had first been troubled by the misuse of the flag in the ring, when the Puerto Rican flag was turned into boxing trunks. Then came the flags people waved at parades or stuck in their windows, the ones with cartoon characters. Since then, he has amassed a collection that includes all sorts of characters, from the ubiquitous homeboy to one in which a naked woman holding two pistols stands against the flag.





Two years ago, he wrote to every mayor, representative and senator in Puerto Rico, urging them to support his campaign to uphold the honor of the flag. Only two replied. Last month, he telephoned the city's Puerto Rican politicians to try to enlist their support for a protest outside a store that sold the offensive flags. Only one sent a representative.





Nonetheless, Mr. Manzanet and a few supporters protested on April 21 outside Boricua City, a store on West 29th Street in Manhattan that is among the country's biggest suppliers of Puerto Rican flags, T-shirts, caps and jewelry. Ricky Perez, a manager at the store, told the group that the flags with cartoon characters on them were leftover inventory that would no longer be sold. Mr. Manzanet was pleased.





"He said he was going to get rid of it," Mr. Manzanet said. "As long as the flag has nothing on it, that's good.



"

Inside Boricua City - which despite its Puerto Rican name is owned by a Korean businessman - the place was jammed with boxes upon boxes of Latin American flags and caps, almost all of which are made in Taiwan or China.





Although other flags are sold at the store, Puerto Rican items are the most popular, said Kevin Young, who said he was "a backup person" at the store. He said the Puerto Rican customers were different from other Latin Americans.





"They're not picky," he said. "When they purchase, it's easy. They do not complain. It's easy to do a sale.



"

Above him, beach towels and flags covered the ceiling. One of them featured three thong-clad women facing the Puerto Rican flag, a tableau whose patriotic tenor Mr. Manzanet failed to appreciate.





"That's not a flag," Mr. Young insisted. "That's a towel.



"

There were also various caps in which Puerto Rican icons like Tito Puente appeared against a backdrop of the flag.





"Tito, the flag is behind him," Mr. Perez said. "All the protesters said was you should not put anything on the flag. We try to accommodate everybody.



"

Still, Mr. Manzanet is skeptical about the caps.





"If he wants us to stop something like that, good luck," Mr. Perez said. "It's floating. It's a 3-D illusion. Anything with 3-D is the money.



"
To some extent, Mr. Perez wondered why all the fuss over a flag that he said was not the island's true colors. He personally prefers the nationalist flag that flew over Lares, P.R., during a 19th-century rebellion against Spanish rule. He also sells that flag, which he has tucked into a place of honor in a corner of the store.





"That's our flag for real," Mr. Perez said, pointing to it. "The nationalist flag. Notice, it's first in line and there is nothing on it.



"

The fight against Spanish rule led to the current flag, which was designed in 1895 by exiles living in New York City. Some think its popularity in New York speaks to a national identity that refuses to vanish even if the island is not a sovereign state.





"The historical situation of Puerto Ricans, whether on the island or in the diaspora, is they are without a nation in terms of traditional definitions," said Arlene Davila, an associate professor of American studies at New York University. "So culture becomes a pivotal space to claim that, and cultural symbols become even more politically loaded.



"

Juan Flores, a professor of Puerto Rican studies at Hunter College, has mixed feelings about the flags.





"I'm glad this national culture is being preserved and not going away," he said. "But at the same time I always hated flag wavers. The symbol becomes more important than what Puerto Rican identity is about.



"

Making sure that identity is declared with an unadorned flag will continue to be Mr. Manzanet's mission. A few days ago, he was standing by his car when Jose Lanausse, an elevator repairman, saw the poster urging people to boycott the altered flags.





"I understand his reasoning," Mr. Lanausse said. "It takes the glory out of the flag. When I was younger, it was only the flag. Now you go to the Puerto Rican Day Parade and you see all these other things on them.



"

Mr. Manzanet asked Mr. Lanausse where he was from. New York, he said, but his parents were from Salinas, P.R . Mr. Manzanet shouted across the street to his friend Angel Alvarado, who was also from that town. Mr. Alvarado came over.





"Tell him your name and where your family is from," he said to Mr. Lanausse.





The young man complied. Within seconds, Mr. Alvarado was reeling off names.





"I know a Jorge, Franklin and Jenny Lanausse," Mr. Alvarado said. "She was a teacher and a very elegant woman. The Lanausses were known.



"

The young man seemed stunned.





"I am from the most popular neighborhood in Salinas," Mr. Alvarado explained. "Next to the cemetery. If you did not visit when you were alive, you would pass by when you were dead.



"

Ms. Manzanet beamed at how this chance encounter over a flag led to someone learning some long-lost family lore. That was why he was determined to continue his defense of the flag, vowing to go to this year's parade with friends to hand out fliers.

Monday, June 2, 2008

OUR AMAZON FAMILY

Uncontacted Amazonian tribe photographed

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RIO DE JANEIRO (Reuters) - Amazon Indians from one of the world's last uncontacted tribes have been photographed from the air, with striking images released on Thursday showing them painted bright red and brandishing bows and arrows.


The photographs of the tribe near the border between Brazil and Peru are rare evidence that such groups exist. A Brazilian official involved in the expedition said many of them are in increasing danger from illegal logging.

"What is happening in this region is a monumental crime against the natural world, the tribes, the fauna and is further testimony to the complete irrationality with which we, the 'civilized' ones, treat the world," Jose Carlos Meirelles was quoted as saying in a statement by the Survival International group.

One of the pictures, which can be seen on Survival International's Web site (http://www.survival-international.org), shows two Indian men covered in bright red pigment poised to fire arrows at the aircraft while another Indian looks on.

Another photo shows about 15 Indians near thatched huts, some of them also preparing to fire arrows at the aircraft.

"The world needs to wake up to this, and ensure that their territory is protected in accordance with international law. Otherwise, they will soon be made extinct," said Stephen Corry, the director of Survival International, which supports tribal people around the world.

Of more than 100 uncontacted tribes worldwide, more than half live in either Brazil or Peru, Survival International says. It says all are in grave danger of being forced off their land, killed and ravaged by new diseases.

Sunday, June 1, 2008

Cleanup at The Centro Ceremonial Indigena de Caguana

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UTUADO - Carefully, Rigoberto Roman wet with a cloth the environs of the stone inscription. The movements were circular and necessary. It could not to enter itself in the lines recorded in the stone that formed the call “woman of Caguana”. For 20 years, Roman, one of the ones in charge of maintenance of Indigenous the Ceremonial Park of Caguana, saw little these stones at least that they contain of the most famous samples of the art rock taíno the fungus and the seaweed were deteriorating themselves by that was impregnated to him. Yesterday, nevertheless, it was part of near a dozen of people who worked in the cleaning and restoration of these stones. The results, that they initiated Tuesdays pleased, it. “This now stands out. He was something that wanted visitors because no longer the drawings were seen. it needed this with urgency”, it said while it indicated the resistances between the areas already worked and still to work that they conserved opaque colors. According to Laura of the Elm tree, director of the Program of Archaeology of the Institute of Puerto Rican Cultura (ICP), was affected by several types of seaweed and fungi, characteristic in the humid zones of the center of the Island. The last time that was realised east type of cleaning was in the 2004, but due to the great one humidity concentration in the area returned to resurge. “They were malitas well. Nor the designs were almost distinguished”, said Of the Elm tree, when needing that in the main place there are about 22 petroglyphs at least. The civil servant indicated that the cleaning of most of the seaweed is realised applying a solution of distilled water, acetone, alcohol and nonionic soap. In order to remove to the lichen, compound of seaweed and fungi, a biocide is applied and soon dark bags are placed to him on the stone to avoid the solar light. Of the Elm tree it indicated that the ICP will realise, in addition, other improvements to the ceremonial park, like the stabilization of stones around the sugar refineries, construction of trenches to avoid floods in the places and the creation of paths so that in rain events the visitors can appreciate the facilities. It maintained that the museum, in remodeling does several years, he would be ready for the end of this year, which will significantly complement the offers of the park. In fact, Of the Elm tree and the archaeologist Pedro Alvarado they indicated that within the future considerations of the park one is to transfer the pieces with the most impressive petroglyphs within a controlled environment in the museum and to place retorts in the place.

Wednesday, April 23, 2008

Iguaca - Puerto Rican Parrot



U.S., Puerto Rico race to save parrots
Conservation La Mohicana, as workers have named the 11-year-old female, has endured a lifetime of respiratory difficulty. This morning, her handlers found her sitting on the floor of her cage, refusing to eat. They rushed her into the clinic, laid her down on the table and put an oxygen mask over her head.

Now she has stopped breathing altogether. Velez, a wildlife biologist, calls for a syringe of the stimulant Dopram to revive her and directs an assistant to contact the veterinarian.

“Esta volviendo,” Velez says. “She’s coming back.”

Every bird is precious here at the Luquillo Aviary, where the U.S. Fish and Wildlife Service is working to save the most endangered parrot in the world.

The Puerto Rican parrot once thrived in the lush green rain forest of this Caribbean island, where an estimated 1 million greeted Columbus 500 years ago.

But a combination of deforestation by man, predation by natural enemies and devastation by periodic hurricanes has nearly wiped out the population. By 1975, the last native species of parrot found in U.S. territory was down to an estimated 13 birds.

Now the Puerto Rican Parrot Recovery Program is trying to bring it back.

Working out of a converted Army facility high in the mountainous Caribbean National Forest — the 43-square-mile reserve in northeastern Puerto Rico known popularly as El Yunque — wildlife specialists are breeding, raising and training captive parrots for eventual release into the wild.

They have released 39 birds in the last four years and have a stock of 48 more at the Luquillo Aviary. Another team, under the Puerto Rico Department of Natural and Environmental Resources, has raised 103 birds so far for release in western Puerto Rico.

The project, decades in the planning, has achieved a 46 percent survival rate — the highest ever among captivity-bred-bird-release programs — to bolster a wild population now estimated at up to 36 birds.

“Captive propagation is a last resort, because it’s really expensive,” says Fernando Nunez Garcia, supervisor of the Fish and Wildlife Service field office in Rio Grande. “It’s a desperate measure to try to save a species.”

The indigenous Taíno people called it Iguaca, for its distinctive squawk. Bright green with a red forehead, blue primary feathers and white rings around the eyes, the Puerto Rican parrot can grow to a foot in height, and can live more than 30 years.

In 1967, the species was listed as endangered. The recovery program began the following year.

The Luquillo Aviary lies in a humid clearing high in El Yunque. Here a staff of 12, working on an annual budget of $925,000, breeds, nurtures and readies the birds for release.

The workers try to prepare the birds, mentally and physically, for life beyond the aviary. They challenge them by introducing unfamiliar toys in their cages or placing food where it is difficult to reach.

“We don’t really know how to train them to be wild,” Velez says. “But we can teach them to be intelligent, to be inquisitive, to explore.”

Parrots to be released spend time practicing flight in a giant cage. They are taken into the forest and exposed to a red-tailed hawk.

Finally, they are fitted with a radio tracking transmitter and freed.

Filed under: Conservation, Parrot News
Scarlet Macaw Parrot August 19, 2004 @ 13:19

Tuesday, April 22, 2008

Drums Along The Hudson



Drums Along The Hudson: A Native American Festival & Shad Fest

Saturday, May 03, 2008
11:00 a.m. - 6:00 p.m.
Manhattan

Drums Along the Hudson includes native drumming from around the world, inter tribal social dances like the Round Dance, the Iroquois Smoke Dance, and the Jingle Dance. Native food, crafts, and art will be for sale.

Shad Fest celebrates the annual return of spawning shad to the Hudson River. Shad Planking demonstrations by Chris Letts of the Hudson River Foundation and free tastings are featured. "Planking " is a Native American cooking method taught to the European settlers.

For more information, please visit the Drums Along the Hudson website.

Co-sponsored by Northern Manhattan Parks, Lotus Music & Dance, and The Hudson River Foundation.

For more information, please visit the Drums Along the Hudson website.

Co-sponsored by Northern Manhattan Parks, Lotus Music & Dance, and The Hudson River Foundation.

Location: Enter the park at 218th Street and Indian Road.
INWOOD HILL PARK ZONE 2

More Information:

Drums Along the Hudson

El Mexorcist 3: America's Most Wanted Inner Demon



Guillermo Gomez-Pena
Wednesday, April 23, 2008, 6:30-8:30 pm
El Museo del Barrio
Teatro Heckscher, 1230 Fifth Avenue, at 104th Street

Saturday, April 5, 2008

James Luna's "Emendatio"







Smithsonian
National Museum of the American Indian
Office of Public Affairs
Media only: Ann Marie Sekeres (2 12) 5 14-3 823 or sekeresa@si.edu
Quinn Bradley (2 12) 5 14-3 822 or bradleyq@si.edu
News
Jan. 3,2008
James Luna's "Emendatio" Opens in New York
An installation of James Luna's "Emendatio" opens at the Smithsonian's National
Museum of the American Indian, the George Gustav Heye Center, Saturday, March 1,
2008. Originally presented at the Fondazione Querini Stampalia as part of the Venice
Biennale 2005, this complex multimedia installation challenges mainstream assumptions
about Native people and pays tribute to Pablo Tac, a 19th-century Luiseiio Indian who
traveled to Rome. "Emendatio" closes April 20,2008.Ernendatio, a Latin word ("emendation" in English) means altering for the better or correcting what is erroneous or faulty; improvemen7t; removal of errors or corruption. Comprised of two distinct parts, the exhibition is augmented by video clips of Luna's onsite performances. The first part, "Apparitions: Past and Present," contests the popular notion that there is a discontinuity between the indigenous world of the past and that of the present. "The Chapel for Pablo Tac" honors Pablo Tac, who came to Rome in 1834 from the San Luis Rey Mission in California to study for the priesthood and to be studied by others."James Luna's work challenges mainstream thought about Native culture," said Kevin Gover (Pawnee), director of the National Museum of the American Indian. "Through this multifaceted presentation, Luna responds to complex issues surrounding concepts of Native identity, origin and modernity." "Luna's compelling works demand audiences worldwide to examine their own views and beliefs about Native peoples," said John Haworth (Cherokee), director of the George Gustav Heye Center. "We are delighted to present 'Emendatio' here in New York City." James Luna (Luisefio, b. 1950) was named the Distinguished Artist of 2007 by the Eiteljorg Museum, where "Emendatio" is currently being presented as part of their SMITHSONIAN INSTITUTION George Gustav Heye Center One Bowling Green New York NY 10004-1415 Fellowship for Native American Fine Art. A renowned performance and multimedia artist, Luna frequently employs humor to devastating effect in his work and confronts commonly held perceptions of Native Americans. He has performed in New York at The Studio Museum in Harlem and the Whitney Museum of American Art; the San Francisco Museum of Modem Art; UCLA's Annand Hammer Museum in Los Angeles; the National Gallery of Canada in Ottawa; and many other museums. Based in southern California on the La Jolla Indian Reservation, Luna earned a bachelor's degree in fine arts from the University of California, Irvine and an master's degree in counseling from San Diego State University."Emendatio" was organized by associate curator Paul Chaat Smith (Comanche)and Truman T. Lowe (Ho-Chunk), curator of contemporary art.The exhibition is accompanied by an illustrated catalog that documents Luna's career. The Smithsonian National Museum of the American Indian's George Gustav Heye Center is located at One Bowling Green in New York City, across from Battery Park. The museum is free and open every day from 10 a.m. to 5 p.m., and Thursdays until 8 p.m. Call (2 12) 5 14-3700 for general information and (212) 5 14-3888 for a recording about the museum's public programs. By subway, the museum may be reached by the 1 to South Ferry, the 4 or 5 to Bowling Green or the R or W to Whitehall Street. The museum's Web site is www.ArnericanIndian.si.edu.