Wednesday, April 23, 2008
Iguaca - Puerto Rican Parrot
U.S., Puerto Rico race to save parrots
Conservation La Mohicana, as workers have named the 11-year-old female, has endured a lifetime of respiratory difficulty. This morning, her handlers found her sitting on the floor of her cage, refusing to eat. They rushed her into the clinic, laid her down on the table and put an oxygen mask over her head.
Now she has stopped breathing altogether. Velez, a wildlife biologist, calls for a syringe of the stimulant Dopram to revive her and directs an assistant to contact the veterinarian.
“Esta volviendo,” Velez says. “She’s coming back.”
Every bird is precious here at the Luquillo Aviary, where the U.S. Fish and Wildlife Service is working to save the most endangered parrot in the world.
The Puerto Rican parrot once thrived in the lush green rain forest of this Caribbean island, where an estimated 1 million greeted Columbus 500 years ago.
But a combination of deforestation by man, predation by natural enemies and devastation by periodic hurricanes has nearly wiped out the population. By 1975, the last native species of parrot found in U.S. territory was down to an estimated 13 birds.
Now the Puerto Rican Parrot Recovery Program is trying to bring it back.
Working out of a converted Army facility high in the mountainous Caribbean National Forest — the 43-square-mile reserve in northeastern Puerto Rico known popularly as El Yunque — wildlife specialists are breeding, raising and training captive parrots for eventual release into the wild.
They have released 39 birds in the last four years and have a stock of 48 more at the Luquillo Aviary. Another team, under the Puerto Rico Department of Natural and Environmental Resources, has raised 103 birds so far for release in western Puerto Rico.
The project, decades in the planning, has achieved a 46 percent survival rate — the highest ever among captivity-bred-bird-release programs — to bolster a wild population now estimated at up to 36 birds.
“Captive propagation is a last resort, because it’s really expensive,” says Fernando Nunez Garcia, supervisor of the Fish and Wildlife Service field office in Rio Grande. “It’s a desperate measure to try to save a species.”
The indigenous Taíno people called it Iguaca, for its distinctive squawk. Bright green with a red forehead, blue primary feathers and white rings around the eyes, the Puerto Rican parrot can grow to a foot in height, and can live more than 30 years.
In 1967, the species was listed as endangered. The recovery program began the following year.
The Luquillo Aviary lies in a humid clearing high in El Yunque. Here a staff of 12, working on an annual budget of $925,000, breeds, nurtures and readies the birds for release.
The workers try to prepare the birds, mentally and physically, for life beyond the aviary. They challenge them by introducing unfamiliar toys in their cages or placing food where it is difficult to reach.
“We don’t really know how to train them to be wild,” Velez says. “But we can teach them to be intelligent, to be inquisitive, to explore.”
Parrots to be released spend time practicing flight in a giant cage. They are taken into the forest and exposed to a red-tailed hawk.
Finally, they are fitted with a radio tracking transmitter and freed.
Filed under: Conservation, Parrot News
Scarlet Macaw Parrot August 19, 2004 @ 13:19
Tuesday, April 22, 2008
Drums Along The Hudson
Drums Along The Hudson: A Native American Festival & Shad Fest
Saturday, May 03, 2008
11:00 a.m. - 6:00 p.m.
Manhattan
Drums Along the Hudson includes native drumming from around the world, inter tribal social dances like the Round Dance, the Iroquois Smoke Dance, and the Jingle Dance. Native food, crafts, and art will be for sale.
Shad Fest celebrates the annual return of spawning shad to the Hudson River. Shad Planking demonstrations by Chris Letts of the Hudson River Foundation and free tastings are featured. "Planking " is a Native American cooking method taught to the European settlers.
For more information, please visit the Drums Along the Hudson website.
Co-sponsored by Northern Manhattan Parks, Lotus Music & Dance, and The Hudson River Foundation.
For more information, please visit the Drums Along the Hudson website.
Co-sponsored by Northern Manhattan Parks, Lotus Music & Dance, and The Hudson River Foundation.
Location: Enter the park at 218th Street and Indian Road.
INWOOD HILL PARK ZONE 2
More Information:
Drums Along the Hudson
El Mexorcist 3: America's Most Wanted Inner Demon
Sunday, April 20, 2008
Saturday, April 5, 2008
James Luna's "Emendatio"
Smithsonian
National Museum of the American Indian
Office of Public Affairs
Media only: Ann Marie Sekeres (2 12) 5 14-3 823 or sekeresa@si.edu
Quinn Bradley (2 12) 5 14-3 822 or bradleyq@si.edu
News
Jan. 3,2008
James Luna's "Emendatio" Opens in New York
An installation of James Luna's "Emendatio" opens at the Smithsonian's National
Museum of the American Indian, the George Gustav Heye Center, Saturday, March 1,
2008. Originally presented at the Fondazione Querini Stampalia as part of the Venice
Biennale 2005, this complex multimedia installation challenges mainstream assumptions
about Native people and pays tribute to Pablo Tac, a 19th-century Luiseiio Indian who
traveled to Rome. "Emendatio" closes April 20,2008.Ernendatio, a Latin word ("emendation" in English) means altering for the better or correcting what is erroneous or faulty; improvemen7t; removal of errors or corruption. Comprised of two distinct parts, the exhibition is augmented by video clips of Luna's onsite performances. The first part, "Apparitions: Past and Present," contests the popular notion that there is a discontinuity between the indigenous world of the past and that of the present. "The Chapel for Pablo Tac" honors Pablo Tac, who came to Rome in 1834 from the San Luis Rey Mission in California to study for the priesthood and to be studied by others."James Luna's work challenges mainstream thought about Native culture," said Kevin Gover (Pawnee), director of the National Museum of the American Indian. "Through this multifaceted presentation, Luna responds to complex issues surrounding concepts of Native identity, origin and modernity." "Luna's compelling works demand audiences worldwide to examine their own views and beliefs about Native peoples," said John Haworth (Cherokee), director of the George Gustav Heye Center. "We are delighted to present 'Emendatio' here in New York City." James Luna (Luisefio, b. 1950) was named the Distinguished Artist of 2007 by the Eiteljorg Museum, where "Emendatio" is currently being presented as part of their SMITHSONIAN INSTITUTION George Gustav Heye Center One Bowling Green New York NY 10004-1415 Fellowship for Native American Fine Art. A renowned performance and multimedia artist, Luna frequently employs humor to devastating effect in his work and confronts commonly held perceptions of Native Americans. He has performed in New York at The Studio Museum in Harlem and the Whitney Museum of American Art; the San Francisco Museum of Modem Art; UCLA's Annand Hammer Museum in Los Angeles; the National Gallery of Canada in Ottawa; and many other museums. Based in southern California on the La Jolla Indian Reservation, Luna earned a bachelor's degree in fine arts from the University of California, Irvine and an master's degree in counseling from San Diego State University."Emendatio" was organized by associate curator Paul Chaat Smith (Comanche)and Truman T. Lowe (Ho-Chunk), curator of contemporary art.The exhibition is accompanied by an illustrated catalog that documents Luna's career. The Smithsonian National Museum of the American Indian's George Gustav Heye Center is located at One Bowling Green in New York City, across from Battery Park. The museum is free and open every day from 10 a.m. to 5 p.m., and Thursdays until 8 p.m. Call (2 12) 5 14-3700 for general information and (212) 5 14-3888 for a recording about the museum's public programs. By subway, the museum may be reached by the 1 to South Ferry, the 4 or 5 to Bowling Green or the R or W to Whitehall Street. The museum's Web site is www.ArnericanIndian.si.edu.
Wednesday, April 2, 2008
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